Showing posts with label The Sexiest® Film Awards. Show all posts
Showing posts with label The Sexiest® Film Awards. Show all posts

Thursday, February 2, 2012

SEXIEST AWARDS SPECIAL : AFTER PARTY PICS!!!

The amazing Sexiest Film Awards Venue
These photographs come courtesy of our new arrival on the blog Keeley Snowfall. She'll be our Official Pornstar Party reporter at the weekly events in Second Life. Giving a celebrity party spin to her posts right here on the blog.

Luckily Keeley made it to the after party on Sunday. Following the Sexiest film awards. Snapping some great pictures. Including the venue itself which is shown above in all it's glory.

Among those featured, last years Best movie and story winner Aprille Shepherd. After Party DJ Candi Mendle. SL Porn Tube owner Jasmine Skyward, and Sexiest Awards Red Carpet Photographer Colleen Criss.

I'd hoped i looked classy in my lingerie here..Until i saw Madame Aprille Shepherd in the pic below, sipping her Champagne! Wow!

Cheri looks exotic and dances naked. Madame Aprille looks classy, and sexy in the background!

SL Porn Tube owner, Jasmine Skyward. Looking classy, sexy,  and very, very welcome at the party.
Providing the tunes, and some additional eye candy for the after party! Candi Mendle.
Not only did Colleen Criss here add even more sexiness to the Sexiest Awards Party. But along with her partner Toran, they both worked so hard photographing the guests on the red carpet. Thankyou!
As you can see, nakedness soon broke out at the After Party. Led of course by Candi Mendle! Brianna here looks like
she enjoyed it though.
Lisa here, not yet naked of course, however,  i think her top is fighting a losing battle!
Serenity Juneberry. xx

Tuesday, November 29, 2011

THE SEXIEST® FILM AWARDS ARE COMING!


Yes it's back!

We wanted to let everyone know we will be doing THE SEXIEST® FILM Awards again! The show for the best of erotica SL cinema
There will be a big announcement about everything in the next few days. But here are some key dates:

- Entries will go out on December 4th.

- The deadline for entries will be December 18th at Midnight SLT!!!

- The show will be Sunday, January 29th.

Lots more info to come. But we wanted to give everyone a heads up on those dates and deadlines.

Tuesday, January 25, 2011

BREAKING NEWS: All the OSCAR Nominations


We just had our own SL Adult "Oscars." (also known as THE SEXIEST® FILM AWARDS)

Thought maybe some of you would want to check out the nominees in the RL awards.

Good luck to all the nominees!



Read the complete list after the break








Best Picture

  • “Black Swan” Mike Medavoy, Brian Oliver and Scott Franklin, Producers
  • “The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
  • “Inception” Emma Thomas and Christopher Nolan, Producers
  • “The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
  • “The King's Speech” Iain Canning, Emile Sherman and Gareth Unwin, Producers
  • “127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers
  • “The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
  • “Toy Story 3” Darla K. Anderson, Producer
  • “True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers
  • “Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers



Actor in a Leading Role

  • Javier Bardem in “Biutiful”
  • Jeff Bridges in “True Grit”
  • Jesse Eisenberg in “The Social Network”
  • Colin Firth in “The King's Speech”
  • James Franco in “127 Hours”

Actor in a Supporting Role

  • Christian Bale in “The Fighter”
  • John Hawkes in “Winter's Bone”
  • Jeremy Renner in “The Town”
  • Mark Ruffalo in “The Kids Are All Right”
  • Geoffrey Rush in “The King's Speech”

Actress in a Leading Role

  • Annette Bening in “The Kids Are All Right”
  • Nicole Kidman in “Rabbit Hole”
  • Jennifer Lawrence in “Winter's Bone”
  • Natalie Portman in “Black Swan”
  • Michelle Williams in “Blue Valentine”

Actress in a Supporting Role

  • Amy Adams in “The Fighter”
  • Helena Bonham Carter in “The King's Speech”
  • Melissa Leo in “The Fighter”
  • Hailee Steinfeld in “True Grit”
  • Jacki Weaver in “Animal Kingdom”

Animated Feature Film

  • “How to Train Your Dragon” Chris Sanders and Dean DeBlois
  • “The Illusionist” Sylvain Chomet
  • “Toy Story 3” Lee Unkrich

Art Direction

  • “Alice in Wonderland”
    Production Design: Robert Stromberg; Set Decoration: Karen O'Hara
  • “Harry Potter and the Deathly Hallows Part 1”
    Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
  • “Inception” 
    Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
  • “The King's Speech” 
    Production Design: Eve Stewart; Set Decoration: Judy Farr
  • “True Grit” 
    Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

Cinematography

  • “Black Swan” Matthew Libatique
  • “Inception” Wally Pfister
  • “The King's Speech” Danny Cohen
  • “The Social Network” Jeff Cronenweth
  • “True Grit” Roger Deakins

Costume Design

  • “Alice in Wonderland” Colleen Atwood
  • “I Am Love” Antonella Cannarozzi
  • “The King's Speech” Jenny Beavan
  • “The Tempest” Sandy Powell
  • “True Grit” Mary Zophres

Directing

  • “Black Swan” Darren Aronofsky
  • “The Fighter” David O. Russell
  • “The King's Speech” Tom Hooper
  • “The Social Network” David Fincher
  • “True Grit” Joel Coen and Ethan Coen

Documentary (Feature)

  • “Exit through the Gift Shop” Banksy and Jaimie D'Cruz
  • “Gasland” Josh Fox and Trish Adlesic
  • “Inside Job” Charles Ferguson and Audrey Marrs
  • “Restrepo” Tim Hetherington and Sebastian Junger
  • “Waste Land” Lucy Walker and Angus Aynsley

Documentary (Short Subject)

  • “Killing in the Name” Nominees to be determined
  • “Poster Girl” Nominees to be determined
  • “Strangers No More” Karen Goodman and Kirk Simon
  • “Sun Come Up” Jennifer Redfearn and Tim Metzger
  • “The Warriors of Qiugang” Ruby Yang and Thomas Lennon

Film Editing

  • “Black Swan” Andrew Weisblum
  • “The Fighter” Pamela Martin
  • “The King's Speech” Tariq Anwar
  • “127 Hours” Jon Harris
  • “The Social Network” Angus Wall and Kirk Baxter

Foreign Language Film

  • “Biutiful” Mexico
  • “Dogtooth” Greece
  • “In a Better World” Denmark
  • “Incendies” Canada
  • “Outside the Law (Hors-la-loi)” Algeria

Makeup

  • “Barney's Version” Adrien Morot
  • “The Way Back” Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
  • “The Wolfman” Rick Baker and Dave Elsey

Music (Original Score)

  • “How to Train Your Dragon” John Powell
  • “Inception” Hans Zimmer
  • “The King's Speech” Alexandre Desplat
  • “127 Hours” A.R. Rahman
  • “The Social Network” Trent Reznor and Atticus Ross

Music (Original Song)

  • “Coming Home” from “Country Strong” Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
  • “I See the Light” from “Tangled” Music by Alan Menken Lyric by Glenn Slater
  • “If I Rise” from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
  • “We Belong Together” from “Toy Story 3" Music and Lyric by Randy Newman

Short Film (Animated)

  • “Day & Night” Teddy Newton
  • “The Gruffalo” Jakob Schuh and Max Lang
  • “Let's Pollute” Geefwee Boedoe
  • “The Lost Thing” Shaun Tan and Andrew Ruhemann
  • “Madagascar, carnet de voyage (Madagascar, a Journey Diary)” Bastien Dubois

Short Film (Live Action)

  • “The Confession” Tanel Toom
  • “The Crush” Michael Creagh
  • “God of Love” Luke Matheny
  • “Na Wewe” Ivan Goldschmidt
  • “Wish 143” Ian Barnes and Samantha Waite

Sound Editing

  • “Inception” Richard King
  • “Toy Story 3” Tom Myers and Michael Silvers
  • “Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague
  • “True Grit” Skip Lievsay and Craig Berkey
  • “Unstoppable” Mark P. Stoeckinger

Sound Mixing

  • “Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick
  • “The King's Speech” Paul Hamblin, Martin Jensen and John Midgley
  • “Salt” Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
  • “The Social Network” Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
  • “True Grit” Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

Visual Effects

  • “Alice in Wonderland” Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
  • “Harry Potter and the Deathly Hallows Part 1” Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
  • “Hereafter” Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
  • “Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
  • “Iron Man 2” Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

Writing (Adapted Screenplay)

  • “127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
  • “The Social Network” Screenplay by Aaron Sorkin
  • “Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
  • “True Grit” Written for the screen by Joel Coen & Ethan Coen
  • “Winter's Bone” Adapted for the screen by Debra Granik & Anne Rosellini

Writing (Original Screenplay)

  • “Another Year” Written by Mike Leigh
  • “The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;
    Story by Keith Dorrington & Paul Tamasy & Eric Johnson
  • “Inception” Written by Christopher Nolan
  • “The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
  • “The King's Speech” Screenplay by David Seidler

Monday, January 17, 2011

10 Things I Learned Doing THE SEXIEST® Film Awards

Find out what was too VAGUE after the jump.

Okay!!! 

The charity money has been donated. The awards are being engraved and will be passed out by the weekend. So it's a good time for me to look back at the whole show and think about what I did right and what i'd do different.

First, thanks to everyone for all their nice comments on the film awards. And also thanks to everyone for their criticisms too.

It will help us make them better the next time.

This isn't about rehashing any dramas or defending myself from them. I just thought the group would want to know why certain decisions were made. What I think we did well. And what I wish I did better.

That way we can figure out as a group what will work best if we do another show next year.

So read on after the break if you want to 



1. Nobody could have done a better job than Hard Rust. 

Think about it. It's hard to get ANYONE to do ANYTHING in Second Life.

And still the man got us 8...count them...8!!!!....judges who watched over 100 movies and rated 12 categories on time. It's a Second Life miracle.

My only request to him was to please get a VARIERTY of people who WERE well known but WEREN'T in our group (and still understand our work). And as tough as that was to do, he did it.

Also, he and his wife made a huge sacrifice not submitting any entries for themselfs. It was a very noble thing to do. And i don't think enough people appreciate how much they gave up.

This was impossible and thankless. He did the really, really hard job. Maybe that's how he got his name :)


2. It was right to announce the judges this time. But not next time.

Some people thought it was a mistake to announce the judges before the awards. Maybe so.

But since this was the first time we did it, I thought it was important for everybody to see it wasn't just me or Hard judging things. That we really got an impressive group of people.

I think that buys us goodwill for next year. And I think then we can keep their names quiet until the results are in.

3. The categories seemed to be pretty good.
Most people seemed to think those were worthy categories. We can look at adding some. But the problem becomes how many nominees a sim can hold. 5 Nominees times 12 categories can be up to 60 people.

We were going to do some more online ones for fun but that turned into drama. If we add any more entries we’ll have to do more than one awards night (which is an idea Alyssa Drechsler had).

4. Make it more clear who is eligible to submit entries and why you need to submit entries.

This is a great suggestion by Hard Rust. I think it was a little VAGUE who could enter what and who would gets a trophy. 

But we’ll be way more specific about that if there’s a next time.

5. I wish there were no entries that I worked on. But it wasn't practical.

I worked on over 40 movies last year. I wanted to be like Hard Rust and not have anything I worked on be entered. But that kept too many really good people out. There were just way too many movies I was involved in.

I know it would have kept 4 or 5 nominees out. Or just look at Serenity’s film which won several awards. It would have been taken out, just for me having a small role.

That’s why we worked really hard to keep the judging separate. And why ALL the contact with the judges went through Hard Rust until the judging was counted. I didn’t even send them invites until Hard had all the results.

It was a little embarrassing to me that a film I directed, won a few awards, including one of the biggest. But I also know that Madame Aprille is very deserving of any awards she received. She came up with the original story, financed the project, made all the sets and props, cast the film and suggested using lip sync in Second Life for her narration.

I don’t think it would be fair to punish her efforts because of me.


6. We need more time between nominations and the show

There was only a day between getting all the nominations and the day of the show. We needed more time to sort out tickets and shift gears to get things ready.

Also part of the reason we need more time is to check the nominees more carefully, to make sure all the rules were followed.


7. You will never agree with all the judges choices. I know I didn’t.

There’s always controversy when awards shows nominations come out. Or the day after the show. It happens at the Oscars every year. And it happened with our show.

I know some people were upset about some of the choices. But you know what, I disagreed with plenty of them too.

I was pretty shocked when Krystall Pearl wasn’t nominated for Best Actress. She was so deserving of that honor. And I felt Deelite should definitely have been a Best Director nominee. She is such a talent.

In fact, I would have personally picked Deelite’s film, DEATH OF A DEMON over La cagna ricca. I think that film is art. They should use it to teach students at film school!!!!

That movie was the most influential and inspiring to me as a director, this year. Take a look:

               

But you know what…Even though that is my opinion, I still respect that 8 people took the time to look at all the films and give us their time and opinion.

And I respect them for doing that, and respect their opinion.

Speaking of respect…


8. Always Respect the Lag Monster!

If you have a really big group of people, you will crash a sim. So as hard as we tried to limit tickets, we may have to be even tougher next time. I wanted to film the event. But I crashed so many times it was impossible.

Alyssa suggested doing the show in more than one day to reduce lag. That’s one idea we’ll look at for sure.

Overall, we’re going to spend a lot more time working on this problem next time.


9. Explain better why the money went to Naughty Bitch and not Naughty Machinima

Originally, I sent out an announcement saying the money would go BOTH the NB and NM. I had every intention of doing that. But then I realized it was almost impossible.

The problem is that I can’t PROVE when I send money to people out of SL. Also, the owner of NM can be very hard to get hold of.  Which could mean long delays with the groups money.

I thought it would be better to send the groups money quickly to a place I could verify. And someone told me that there have big huge, long controversies with charity shows that couldn’t verify where the money went.

So to hold onto money for weeks or send it in a way I couldn’t prove all seemed to be inviting trouble. It’s a hassle I didn’t want for $23 of real life money. So I hope the group understands why and doesn’t mind being a little flexible about this.

And most importantly, it still went to support a Machinima where we all play films.  Which is the most important thing.



10. People will know what to expect next time. And that’s a good thing.

Nobody new how this would work. Nobody ever submitted an entry before. Nobody new what the trophy looked like. Or what to expect at the awards show. Or if we'd have a nickel to donate when it was all done.

And while there were a few bits of drama, I think people liked the awards. And I think it will be easier to get people to do all those things. And more people will want to participate next year.

I also think that with a little success, we could get some sponsorships and have Ticket Auctions, that could help us raise even more money for our films.

Something to work on next time.


Anyway, those are some of my opinions on the show. Feel free to add your own comments (just remember you can be critical but not mean or personal).